'Mercutio character in Romeo and Juliet Essay\r'

'In Romeo and Juliet each use has a specific billet. Mercutio’s role is the virtually important. He is the kinsman to the prince and Romeo’s adjacent friend and confidante, and in this role he usher out be very inluential to Romeo and can influence the decisions do and the directions the flirt relieve oneselfs. He uses his learning ability and brain to lead the separate timbers to the climax. He is in a vexed position, as the friend of Romeo and the princes kinsman, yet on the whole these factors contribute to the memorable character he is.\r\nMercutio is the driving force behind the play, as he fortells or is the cause of almost of the major cases.\r\nBefore the Capulets party Benvolio advises they enter quietly, dance and leave, but Mercutio, the only individual in this scene actually invited to the play, disagrees; ‘duns the blow, the constables sustain word, if thou art dun, we’ll draw thee from the get stuck’ Mercutio is rat eing that only a mouse should be silent and small. In this warrant Mercutio is moving the play along by teasing Benvolio and Romeo into staying at the party longer, which sour out to be fatal.\r\nThe party is a major event in the play because Romeo meets Juliet there, and consequently decides his love for Rosaline was nothing but a crush. The next major event in the play is Mercutio’s deliver death, this is often believed to be the climax in the play because from there on allthing changes for the worse.\r\nIn Mercutio’s get going scene Romeo intervenes as Mercutio is entreating Tybalt and Mercutio is wounded under Romeo’s arm, Mercutio then makes Romeo question why he intervened and then to feel responsible for Mercutio’s death, he seeks revenge on Tyalt and is banished, which provides the knottiness for the story.\r\nThese are just two examples of situations where Mercutio has either used his wit to manipulate Romeo into doing virtuallything (t he party) or made Romeo question what is going on and who is to blame.\r\nMercutio’s death is the only judgment of conviction in the play where he accepts that the fight plays a bigger role in his life than he likes to think.\r\nBefore this he treats the strife as more of a joke, he doesn’t think most the consequences of bringing a Montague to the Capulets party. In fact, you could ordain that Mercutio enjoys the tensions between the two families as it provides situations where he can stir up some fun. He does this when Tybalt is searching for Romeo and Mercutio warns him that if Tybalt starts a fight Romeo testament not back down, then, when Romeo will not fight Mercutio takes his place.\r\nâ€Å"A smite on both your houses, they have made worms meat out of me”\r\nMercutio does not say Tybalt has made worms meat out him, he says they, both the houses. As he is destruction he curses the house of Capulet and Montague three times, he knows that his death w as not caused by urgency but from him getting to close to the feud.\r\nRomeo and Juliet is surface known for being a japery and a Tragedy, yet when Mercutio dies so does the comedy.\r\nA comedy is a drama where banter or humour is used and this definitly defines the scenes Mercutio is manifold in. Mercutio is the bearer of all the humour in the play; the only time any other character shows any wit is when they are in the company of Mercutio. This is shown in Act two, scene four, when Romeo and Mercutio have a battle of wits, when the scene before Romeo was well-nigh begging the Friar to marry Romeo to Juliet. Because every one of Mercutio’s lines is full of septuple puns and jokes his lines previous to his death are notice and remembered by the audience for the fact that he curses the houses, even Romeo’s and also states that he is lose and ‘sped’. Romeo doesn’t really take him seriously at first:”The hurt cannot be much”\r\nThe n, as short as Romeo realizes Mercutio really is last Mercutio re advanceds his humour and makes plays on the word ‘grave’; this last bout of humour riotously turns into rage.\r\nHe, Mercutio was dying from a scratch!\r\nâ€Å"Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death!\r\nA Braggart, a rouge, a villian, that fights by the book of arithmatic”\r\nWhen Tybalt’s challenge to Romeo arrived at the Montague house Mercutio told Benvolio that he hated Tybalt for his fancy dressing and politeness to be accepted into society, and here he was, dying from a scratch delt by\r\nâ€Å"The pox of such antic, lisping, affecting\r\nfantasicoes, these new tuners of accent.\r\nFrom here on the play descends to a Tragedy, a dramatic performance where the main characters are led to ruin and misery.\r\nThe character of Mercutio is short lived but best remembered for his quick wit and humour in otherwise boring or serious situations, he plays a vital p art in the play because he can continue the play in new directions, being Romeo’s friend and the Princes kin.\r\nHe finds it problematical to stay neutral in the feud and this contributes to his death in the end.\r\nIt is because of these characteristics that he is the most remembered character in Romeo and Juliet.\r\n'